Markers are visible points on clips and sequences that can be used for commenting, synchronizing, editing, adding DVD chapter and compression markers, and even making subclips. By default, markers exist only on the frame where they were created, but you can also create markers that have a duration.
Markers let you perform a wide variety of tasks:
Mark several possible In or Out points for future use.
Quickly move the playhead to a marker in a clip or sequence.
Mark a range in a clip that you may want to use as a subclip.
Align a clip marker to a marker in an edited sequence to match a visual or audio cue.
Align a filter or motion keyframe to a marker for future reference.
Align other clip markers, clip boundaries, or transition boundaries to a marker in the Timeline.
Divide clips into subclips using the Make Subclip command.
Add visual notes about clips that will help you identify sections while editing.
Use up to eight different colors of markers for a color-coded commenting system.
Export marker data as tab-delimited text.
Ripple sequence markers in the event of insert, ripple delete, or ripple trim edits.
You can also include markers in QuickTime movies you export. You can:
Export chapter markers for use with QuickTime and DVD-authoring applications.
Export compression markers for use with video compression applications.
Export scoring markers for use with supported music and audio applications.
You can add markers to both clips and sequences. There are differences between clip markers and sequence markers that could affect your work.
Clip markers appear on individual clips in the Viewer and Timeline. You can add these markers in the Viewer or in the Timeline.
Sequence markers appear both in the Timeline ruler and in the Canvas scrubber bar. You can add these markers in the Canvas or in the Timeline.

Make sure you understand how you want to use markers in your project before you add them. The following list points out some example uses of markers.
Add markers to a clip when you want to remember and mark important moments in a shot.
Use markers to separate a long piece of footage into several subclips by adding markers and then making them into subclips. (See Turning Markers into Subclips).
You can add markers to sequences for a variety of reasons. You can mark specific points, such as audio cues, in your sequence for reference while editing. This includes musical beats to sync clips to. For example, if you are editing a music video, you can add a music clip to the Timeline, click Play, and then press the M key to the beat of the music, adding markers for each beat. Once the markers are in place, you can go back and snap clips to the markers you created. You can nudge your clips a few frames forward or backward if your markers are not perfectly on the beat.
Use markers to snap the playhead or clips to a specific point when performing an edit.
Use markers in a sequence to create points to navigate between.
Use markers to add review comments and notes to a sequence, so that another person on the moviemaking team can then read these comments in the sequence at the appropriate place.
Use markers in sequences so you can add MPEG compression markers and DVD chapter markers.
There are several kinds of markers that you can add in Final Cut Pro.
Markers can have up to eight different possible colors and associated text labels.
Markers are available in eight different colors, with red as the default. Marker color can be modified in the Edit Marker dialog. You can also create markers with specific colors by pressing the Shift key and any of the number keys 1–8.
You can also specify or change the color of a marker with the Edit Marker dialog. For more information, see Modifying Markers and Adding Markers in Clips and Sequences.
Some standard types of markers have default colors:
You can always manually modify the marker color in the Edit Marker dialog. For more information about marker types, see Types of Markers.
Note: Sequence and clip markers created in Final Cut Pro 6.x or earlier appear green and pink, respectively.
Each marker color has a text label that you can customize for a given project. For example, you might want to rename the green label “Director’s Notes” so that the director uses green markers when she enters her notes. Or you could rename the yellow label “Editor’s Notes” and the editor would file his comments with yellow markers.
This labeling system can be useful in different ways:
If your project becomes over-cluttered with markers, you can hide markers of a particular color/label category. For more information about adjusting marker visibility in the Project Properties dialog, see Viewing and Changing the Properties of a Project.
You can use these labels when you export a marker list as text using the Export Markers List as Text feature. For example, you might open the exported comments/notes in a spreadsheet program and sort the comments and notes according to the information in the labels (by Director’s Notes or by Editor’s Notes). For more information, see Exporting Marker Lists as Text.
Choose Edit > Project Properties.
The Project Properties dialog appears.

In the Marker Visibility section, do any of the following:
Use the checkboxes to turn on or off the visibility of markers of a particular color/category.
Use the text fields to confirm or modify the text label for a particular marker color/category.
Click OK.
Markers appear or are hidden based on your settings. Any marker color label information that you entered is exported with other marker data when you export a marker list as text using the Export Markers List as Text command.
Marker color labels are also visible as tooltips in the Edit Marker dialog.
Note: Marker color labels are project-specific. Unless you set up a Final Cut Pro project to use as a template, you will have to reenter any custom label settings for each new project. In User Preferences, you can set Final Cut Pro to automatically remind you to enter project settings for each new project. See Viewing and Changing the Properties of a Project for more information.