After you create your final master and other necessary deliverables, the last step is to archive your program. When preparing to archive your program, you need to gather every Final Cut Pro, Motion, Color, and DVD Studio Pro project file and every source media file, font, still-image file, QuickTime clip, and final rendered output file. In short, make sure that you archive everything that would be necessary to re-create your project five years in the future, should the need arise.
When deciding how to archive your program and its media, you have two choices.
However, hard disk backups may not always be the best long-term solution. The data on hard disks stored for a year or more without being started up can begin to become unreliable. Periodically starting up each archive disk and reading all of the data on the disk can prevent this problem, but this approach requires diligence. Also, disks are physical mechanisms, and there’s always the chance of mechanical failure. Using a pair of mirrored hard disks for your backups provides additional insurance against losing valuable data to disk failure.
If you need to archive your project for longer periods of time, there’s another choice.
There have been several generations of LTO tape technology available from several manufacturers. The current standard is LTO-4, with a maximum uncompressed capacity of 800 GB per tape. In Mac OS X, LTO tape drives can be written to using third-party utilities, and they’re also compatible with Final Cut Server.
Tip: However you decide to back up your media, for the greatest level of safety, it’s ideal to have two sets of backups, including one that’s stored offsite in a secure location in case of fire, theft, or natural disaster.